En tillfällig ensemble sätter upp Kung Lear (A Temporary Ensemble Puts
on King Lear)
Lilla scen, Stadsteatern, Stockholm
Seen with friends MR and AR 24 November 2023
A hapless director, Andreas (Meyer) is a heart-warming bumbler who
agrees with everybody, whose wife is the star of another production, and whose
kids he has to fetch from school, while trying to direct King Lear with three actors:
Ulf (Rabaeus) – a pro and he lets everyone know it.
Essentially Rabaeus plays himself, he’s known as an arrogant, ego-tripping
know-it-all and it reveals a healthy dose of humour and sardonic self-awareness
to play this part.
Berit (Benson) – a has-been still living in her glorious
past as an actor in the radical theatre of the 70s (which, in fact, Mia Benson
was, but she’s far from a has-been). Here, she reads her lines like a robot and
Ulf is quick to tell her the right way to do it.
Larissa (Lazcano, who also wrote and directed the play) – a
young radical feminist ghetto poet who hates the whole idea of King Lear but
gave up several big roles at the Royal Dramatic Theatre to be in this
production. And she has a secret…
Then they get directives from the bosses of Stadsteatern –
they are to shorten the play, accept commercial sponsors and see to it that
they get huge audiences.
It’s laugh-out-loud funny, it’s satirical, it pokes wicked
fun at the cold commercialised cultural climate in todays’ right-wing Sweden.
The cast is brilliant and the Melody Festival ending is wonderfully glittery
and foot-stomping.
There isn’t a whole lot of Lear, but, oh, it’s a lovely
spin-off.
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