Showing posts with label Monday January 23 2012. Show all posts
Showing posts with label Monday January 23 2012. Show all posts

Monday, January 23, 2012

Monday, January 23 2012


The week has gone according to plan: we've started reading King John and my text on RII is complete. So with no further ado:

  • Shakespeare sightings:
    • A “hearing” rather than a sighting: On the radio program (which we have on CD) “Saturday Night Fry” Stephen Fry interviews Hugh Laurie who gives a garbled version of the Shakespeare roles he's played.
    • A tiny notice in DN about the Gothenburg opera putting on Shostakovitch's Lady Macbeth from Mzensk.
    • In Alice in Wonderland, read for the first time ever this week, the Dodo is described thinking hard: “it stood for a long time with one finger pressed upon its forehead (the position in which you usually see Shakespeare, in the pictures of him.”
    • In the movie Tea with Mussolini Judi Dench's character devotedly tries to share Shakespeare with her Italian friends.

Further, this week:
  • Waiting patiently for Stephen Greenblatt's Shakespearean Negotiations and Renaissance Self-fashioning
  • Now reading aloud with Hal: The Life and Death of King John
  • Still reading: A Companion to Shakespeare's Works – The Tragedies.
  • Play seen: Twelfth Night. Mentioned last week as a sighting, and sure enough, we went to see it and enjoyed it very much. As always I find it hard to hear what is said on stage but once they got into the story itself – which they followed quite faithfully in spite of placing it in a tire factory in the 1960's - it was no problem. The singing was fantastic, the stage decor fun and inventive and the spread in ages of the cast – from about twelve or thirteen to several in their eighties – was inspiring. I'll quote the review in SvD : “The professional singers lift the production but it is nevertheless the whole collective that in the end steals the show”. With songs like “Good Golly Miss Molly”, “Help”, “When s Man Loves a Woman”, Be My Baby,” “Stand by Me” and “Ain't No Mountain High Enough”, all woven into the story as if Shakespeare had written the songs himself, you can't go wrong. A must see (and there's still time, all you Stockholmers!) for anyone who digs music from the 50's and 60's and Shakespeare. http://teaterreflex.se/